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 Swamp rock band from Louisiana. Swamp fuzz rock, harmonica. Heavy southern rock boogie sound. "Louisiana's answer to punk rock". No more info about the band, really a mega rarity, but a very good forgotten work.01 - Backwoods Boogie02 - Iggi Diggi Di03 - Wag My Tail04 - I'm A Lover05 - The Betail06 - Blackbird07 - Pennie Piney Moe08 - Nobody Like You09 - Funky FeverLINK |
 Midnight Cowboy is a 1969 American drama film based on the 1965 novel of the same name by James Leo Herlihy. It was written by Waldo Salt, directed by John Schlesinger, and stars Dustin Hoffman and then-newcomer Jon Voight in the title role. Notable smaller roles are filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, and Barnard Hughes; M. Emmet Walsh is an uncredited, pre-fame extra. The film won three Academy Awards: Best Picture, Best Director and Best Adapted Screenplay. It is the only X rated film ever to win Best Picture. John Barry, who supervised the music and composed the score for the film, won a Grammy for Best Instrumental Theme. Fred Neil's song "Everybody's Talkin'" also won a Grammy Award for Best Male Pop Vocal Performance, for Harry Nilsson.01 - Nilsson - Everybodys Talkin02 - John Barry - Joe Buck Rides Again03 - The Groop - A Famous Myth04 - John Barry - Fun City05 - Leslie Miller - He Quit Me06 - Elephants Memory - Jungle Gym At The Zoo07 - John Barry - Midnight Cowboy08 - Elephants Memory - Old Man Willow09 - John Barry - Florida Fantasy10 - The Groop - Tears And Joys11 - John Barry - Science Fiction12 - Nilsson - Everybodys Talkin (Reprise)LINK |
 Revolution, an interesting quasi-documentary on the hippie experience in San Francisco, presents a day in the life of Today Malone, an attractive blond hippie. As with many of such films from the era, we're treated to lengthy pro- and anti-hippie banter, hallucination scenes, free-love themed nudity and excellent music. (IMDB) Jack O'Connell produced and directed this patchwork portrait of the hippie scene in 1967. The best parts are the rock band live performance sequences, although some of these clips were staged to appear as though they were filmed at ballroom dance concerts. Which is similar to what other films and TV shows at the time tended to do, rather than film an regularly scheduled club or ballroom dance concert with all the craziness of a real gig in full swing.(IMDB)01 - Mother Earth - Revolution02 - Quicksilver Messenger Service - Co'dine03 - Steve Miller Band - Superbyrd04 - Steve Miller Band - Your Old Lady05 - Quicksilver Mess Service - Babe I'm Gonna Leave You06 - Mother Earth - Without Love (There Is Nothing)07 - Steve Miller Band - Mercury Blues08 - Mother Earth - Stranger In My Own Home TownLINK |
 Zachariah (1971) is a film starring John Rubinstein as Zachariah and Don Johnson as his best friend Matthew. The film is loosely based on Herman Hesse's novel Siddhartha, surrealistically adapted as a musical Western by Joe Massot and the members of the comedy troupe The Firesign Theatre. The band Country Joe and the Fish perform as an inept gang of robbers (more adept as musicians) called "the Crackers," who are always "looking for people who like to draw." In the same vein, Zachariah boasts: "I can think, I can wait, and I'm fast on the draw." This is a parody of Siddhartha's famous line: "I can think, I can wait, I can fast." This film is defined as being part of the Acid Western genre. More precisely, in its own publicity releases, it was called, "The first electric western." This was, in no small part, due to the fact that this film featured several appearances and music supplied by successful rock bands from the era, including the James Gang and Country Joe and the Fish. Fiddler Doug Kershaw has a musical cameo that advances the plot of the film. The movie also features former John Coltrane sideman Elvin Jones as a gunslinging drummer named "Job Cain." Cream's drummer Ginger Baker was originally going to play the part of Zachariah. The Minneapolis group White Lightnin' (an off-shoot of the band The Litter) performs their rock and roll version of the William Tell Overture on the soundtrack. The New York Rock and Roll Ensemble perform Grave Digger on the soundtrack. The soundtrack features songs by the James Gang, Joe Walsh, and Country Joe and the Fish which are not available elsewhere.01 - Jimmy Haskell - Zachariah Main Title02 - The James Gang - Laguna Salada03 - Counrty Joe & The Fish - We're The Crackers04 - Jimmy Haskell - William Tell Overture05 - Country Joe & The Fish - All I Need06 - Doug Kershaw - The Ballad Of John Cain07 - The James Gang - Country Fever08 - Jimmy Haskell - The Lonely Ride09 - Jimmy Haskell - Camino-Used Horse Salesman10 - Jimmy Haskell - Camino Waltz11 - New York Rock & Roll Ensemble - Grave Digger12 - White Lightnin' - Shy Ann13 - Jimmy Haskell - Mathew14 - Jimmy Haskell - Zachariah End TitleLINK |
 Candy is a 1968 sex farce film directed by Christian Marquand based on the 1958 novel by Terry Southern and Mason Hoffenberg, from a screenplay by Buck Henry. The film satirizes pornographic stories through the adventures of its naive heroine, Candy, played by Ewa Aulin. Many established actors are featured in the film, and popular figures such as Sugar Ray Robinson, Anita Pallenberg, and Florinda Bolkan appear in cameo roles. This was the solo film acting debut of then Beatle Ringo Starr. Candy was one of many psychedelic movies that appeared as the '60s ended, along with Yellow Submarine, The Trip, and Head. The film opened to mixed box office, but later became a cult classic from the psychedelic years of film. 01 - The Byrds - Child Of The Universe02 - Steppenwolf - Birth By Descent03 - Steppenwolf - Opening Night By Surgery04 - Steppenwolf - Spec-Rac-Tac-Para-Comm05 - Steppenwolf - Border Town Blues A Blunt Instrument06 - Steppenwolf - Magic Carpet Ride07 - Steppenwolf - Constant Journey08 - Steppenwolf - Every Mother's Daughter09 - Steppenwolf - It's Always Because Of This A Deformity10 - Steppenwolf - Marlon And His Sacred Bird11 - Steppenwolf - Ascension To Virginity12 - Steppenwolf - Rock MeLINK |
 May Morning (Alba Pagana) is a dramatic and penetrating examination of the intellectual and moral standards existing at Oxford University, England. Directed by Ugo Liberatore and featuring three of the brightest rising stars of the European Cinema of the 70s (Birkin, Steiner and Orano) and a cool retro soundtrack by The Tremeloes.(AM)01 - May Morning02 - All Pull Together03 - Till The Sun Goes Down04 - Turn On With Thee05 - I Can't Even Breathe Down Here06 - May Morning (Reprise 1)07 - Anything08 - Think Of What You Said09 - Beer Duel10 - Hard Time11 - I'll Take You Home12 - Bunch Of Rapes13 - May Morning (Reprise 2)14 - I You KnowLINK |
 Butch Cassidy and the Sundance Kid is a 1969 American Western film directed by George Roy Hill and written by William Goldman (who won the Academy Award for Best Writing for the film). Based loosely on fact, the film tells the story of Wild West outlaws Butch Cassidy (Paul Newman) and his partner Harry Longabaugh, the "Sundance Kid" (Robert Redford). In 2003, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film won four Academy Awards: Best Cinematography; Best Music, Original Score for a Motion Picture (not a Musical); Best Music, Song (Burt Bacharach and Hal David for "Raindrops Keep Fallin' on My Head"); and Best Writing,01 - The Sundance Kid02 - Raindrops Keep Fallin' On My Head (B.J. Thomas Vocal)03 - Not Goin' Home Anymore04 - South American Getaway05 - Raindrops Keep Fallin' On My Head (Instrumental)06 - On A Bicycle Built For Joy (B.J. Thomas Vocal)07 - Come Touch The Sun08 - The Old Fun City (N.Y. Sequence)09 - Not Goin' Home Anymore (Reprise)LINK |
 Chicago is an American rock band formed in 1967 in Chicago, Illinois. The band began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, becoming famous for producing a number of hit ballads. They had a steady stream of hits throughout the 1970s and 1980s. Second only to The Beach Boys in terms of Billboard singles and albums chart success among American bands, Chicago is one of the longest running and most successful pop/rock and roll groups. Chicago re-teamed with producer Phil Ramone in October 2010 to begin work on a new album. According to Billboard, Chicago was the leading U.S. singles charting group during the 1970s. They have sold over 38 million units in the U.S., with 22 gold, 18 platinum, and 8 multi-platinum albums. Over the course of their career they have charted five No. 1 albums, and have had 21 top ten hits. The Chicago Transit Authority (Chicago I) is the eponymous debut album by The Chicago Transit Authority, who would later be known as Chicago. It was recorded and released in 1969. Peter Cetera - bass, vocals, Terry Kath - guitar, vocals, Robert Lamm - keyboard, vocals, Lee Loughnane - trumpet, vocals, James Pankow - trombone, Walter Parazaider - woodwinds, vocals and Danny Seraphine - drums.01 - Introduction02 - Does Anybody Really Know What Time It Is03 - Beginnings04 - Questions 67 And 6805 - Listen06 - Poem 5807 - Free Form Guitar08 - South California Purples09 - I'm A Man10 - Prologue (August 29, 1968)11 - Someday (August 29, 1968)12 - LiberationLINK |
 Cass Elliot, born Ellen Naomi Cohen and also known as Mama Cass, was an American singer and member of The Mamas & the Papas. After the group broke up, she released five solo albums. Elliot was found dead in her hotel room in London, England, from an apparent heart attack after two weeks of sold-out performances at the Palladium. In 1998, Elliott was posthumously inducted along with other original members – John Phillips, Michelle Phillips and Denny Doherty – of The Mamas & the Papas into the Rock and Roll Hall of Fame. Mama’s Big Ones is the third solo album released by Cass Elliot. It was also the last studio album she released for Dunhill in order to fulfill her three album deal. Elliot’s frustration with trying to prove herself as her own artist and tackle the material she wanted had proved an impossibility with Dunhill. The power struggle began with her attempts to drop the "Mama" moniker and use the name Cass Elliot. This had been met with opposition by the studio heads at Dunhill. They felt that using the name "Mama Cass” and producing music similar to what she had done with The Mamas & the Papas was what would sell with audiences. Five of the songs had just been released on her first two solo albums. The other songs consisted of four singles she released and recorded in the studio with producer Steve Barri in 1970 and one hit she had with The Mamas & the Papas. The singles "One Way Ticket" and "Ain’t Nobody Else Like You" were the only new songs introduced by the album.01 - It's Getting Better02 - Dream A Little Dream Of Me03 - Make Your Own Kind Of Music04 - Words Of Love05 - New World Coming06 - Move In A Little Closer, Baby07 - One Way Ticket08 - The Good Times Are Coming09 - Easy Come, Easy Go10 - Don't Let The Good Life Pass You By11 - Ain't Nobody Else Like You12 - A Song That Never ComesLINK |
 Caravan are an English band from the Canterbury area, founded by former Wilde Flowers members David Sinclair, Richard Sinclair, Pye Hastings and Richard Coughlan. Caravan rose to success over a period of several years from 1968 onwards into the 1970s as part of the Canterbury scene, blending psychedelic rock and jazz to create a distinctive sound like their contemporaries Soft Machine. Caravan still remains active as a live band in the 21st century. Caravan is the debut album by the band. It was released in 1968. The album was the result of the band borrowing equipment while on tour with Soft Machine, producing "an unusually mature musical statement". The album was released in stereo and mono, in both the United States and United Kingdom, but failed to reach chart hit status.01 - Place Of My Own02 - Ride03 - Policeman04 - Love Song With Flute05 - Cecil Runs06 - Magic Man07 - Grandma's Lawn08 - Where But For Caravan Would I BeLINK |
 Camel are an English progressive rock band formed in 1971. An important group in the Canterbury scene, they have been releasing studio and live recordings steadily, with considerable success, since their formation. Andrew Latimer (guitar), Andy Ward (drums) and Doug Ferguson (bass) had been playing as a trio called The Brew around the Guildford, Surrey area of England. On February 20th, 1971, they auditioned to be the back-up band to singer/songwriter Phillip Goodhand-Tait and released an album with him in August 1971 titled "I Think I'll Write a Song" on DJM Records. This would be their first and last album with Goodhand-Tait. [2] They recruited Peter Bardens (keyboards) and after an initial gig to fulfill a Bardens commitment on 8 October 1971 in Belfast, Northern Ireland under the name of Peter Bardens' On, they changed their name to Camel. Their first gig was at Waltham Forest Technical College, London supporting Wishbone Ash on 4 December. Mirage is Camel's second album, released in 1974, and is one of the group's most remembered albums.[citation needed] It features some of their best-known songs, including "Nimrodel" and "Lady Fantasy", and is also a showplace for Andrew Latimer's flute, notably on "Supertwister". There are only 5 tracks on this record, two over 9 minutes. Those two are multi-part epics: "Lady Fantasy" and "Nimrodel/The Procession/The White Rider", the latter being about The Lord of the Rings. It was released on Deram Records. As a result of a business agreement between the band and the cigarette company, the album's cover art very closely resembles the cover of the Camel cigarettes packet.01 - Freefall 02 - Supertwister 03 - Nimrodel The Procession The White Rider 04 - Earthrise 05 - Lady Fantasy Encounter Smiles For You Lady FantasyLINK |
 Bobby Goldsboro is an American country and pop singer-songwriter. He had a string of Pop and Country hits during the 1960s and 1970s, including his signature #1 classic, "Honey" which sold well over one million copies in the United States. Franklin Delano Reeves, better known as Del Reeves, was an American country music singer, best known for his "girl-watching" novelty songs of the 1960s including "Girl on the Billboard" and "The Belles of Southern Bell". He is also known for his 1968 trucker's anthem, "Looking At The World Through A Windshield", which demonstrated he was capable more than just novelty songs. He became one of the most successful male country singers of the 1960s. This is a collaboration album with duets of Goldsboro & Reeves.01 - Our Way Of Life02 - Under Your Spell Again03 - Walking On New Grass04 - Here We Go Again05 - Heartaches By The Number06 - Take A Little Goodwill Home07 - I Just Wasted The Rest08 - She Thinks I Still Care09 - A Dime At A Time10 - Crazy Arms11 - I Ain't Broke But I'm Badly BentLINK |
 Produced by Appletree Theatre's John Boylan, Bear featured the talents of keyboardist Eric Kaz, singer Steve Soles and guitarist Artie Traum (backed on their album by Autosalvage bassist Skip Boone and drummer Darius Davenport). Though a formidable lineup of talent came together for Bear's sole album, it had neither a consistent style nor compelling material. Another one-shot late-'60s psychedelic band, Autosalvage, might serve as a point of comparison, as two members of that group (Skip Boone and Darius Davenport) play on Greetings, Children of Paradise. Bear's record, though, is even more diffuse than Autosalvage's in its dodges between various circa-1968 underground rock styles, made even more erratic by some aspects which seem to aim for a bit of pop appeal. There's a little of the Lovin' Spoonful's good-time rock from time to time, but more often it's an uneasy mesh of free-floating American hippie rock with some Beatlesque harmonies and melodies. Sometimes there are jazzy beats and arrangements; at other times there are moderately heavy psychedelic guitar solos; at others, their basic folk-blues roots poke through (as on "Hungry Dogs of New Mexico"). The songs are kind of shapeless and the melodies on the undistinguished side, however. (AMG)01 - Greetings!02 - So Loose And So Slow03 - Like Cats04 - Happy Days05 - What Difference06 - It's Getting Very Cold Outside07 - I Won't Be Hangin' 'round08 - Don't Say A Word09 - Don't You Ever Want To Think About Them10 - The Hungry Dogs Of New MexicoLINK |
 An Introduction to Syd Barrett is a 'best of' compilation featuring the work of Syd Barrett spanning the period 1967–1970, including both material written during his time with Pink Floyd and his post-band solo career. The album features a series of new remasters and remixes, all overseen by Pink Floyd's David Gilmour. The cover art, featuring various images relating to songs contained within the album, was designed and created by long-term Pink Floyd conceptual artist Storm Thorgerson. 01 - Pink Floyd - Arnold Layne02 - Pink Floyd - See Emily Play03 - Pink Floyd - Apples And Oranges04 - Pink Floyd - Matilda Mother05 - Pink Floyd - Chapter 2406 - Pink Floyd - Bike07 - Syd Barrett - Terrapin08 - Syd Barrett - Love You09 - Syd Barrett - Dark Globe10 - Syd Barrett - Here I Go11 - Syd Barrett - Octopus12 - Syd Barrett - She Took A Long Cool Look13 - Syd Barrett - If It's In You14 - Syd Barrett - Baby Lemonade15 - Syd Barrett - Dominoes16 - Syd Barrett - Gigolo Aunt17 - Syd Barrett - Effervescing Elephant18 - Syd Barrett - Bob Dylan BluesLINK |
 Kaleidoscope (originally The Kaleidoscope) was an American psychedelic folk and ethnic band who recorded 4 albums and several singles for Epic Records between 1966 and 1970. The group was formed in 1966. The original members were David Lindley, Solomon Feldthouse, Chris Darrow, Chester Crill and John Vidican. The group was founded on democratic principles – there was no "leader". They soon began performing live in clubs, winning a recording contract with Epic Records. The first single, "Please", was released in December 1966. Disbanded in 1970, the album A Beacon from Mars was released in early 1968, to generally good reviews but poor sales. Liner notes to the CD reissue of this album claim the original title was "Bacon From Mars" but it was misprinted.01 - I Found Out02 - Greenwood Sidee03 - Life Will Pass You By04 - Taxim05 - Louisiana Man06 - Baldheaded End Of A Broom07 - You Don't Love Me08 - Beacon From MarsLINK |
 Hippie folk psych band Perth County Conspiracy was a folk music group, based in Stratford, Ontario, Canada. It was formed in 1969 and was active until at least 1977. They lived together as a commune, similar to the Grateful Dead. The music is characterised by its message-oriented lyrics and unconventional arrangements. The 1970 self-titled album features Shakespearian dialogue and audio collage elements mixed with folk and folk rock music that might place it in the genre of psych folk. Over its career PCC(DNE) recorded several albums of material including at least two on the Columbia label. Kanada, from 1975, is the fifth release of the band. Cedric Smith (vocals, guitar), Richard Keelan (guitar, vocals), Michael Butler (bass), Terry Jones (guitar, vocals), George Taros (piano, vocals) and Bob Burchill (guitar, vocals, fiddle; 1973-1975)01 - Hurray For02 - Breaking Down The Wal03 - Heart Of The Beast04 - Mothers Blues05 - 05 Memory Stains - Linin06 - Live With Me On Earth07 - Touch A Spark08 - Military Spectatorsh09 - Richard's Down10 - Dance Of The Fat - Y11 - The Pioneer Song12 - The Voice In The WilLINK |
 Ram Jam was an American 1970s rock band, best known for their 1977 hit single, "Black Betty". The band members were Bill Bartlett (guitar), Pete Charles (drums), Myke Scavone (lead singer), and Howie Arthur Blauvelt (bass). Also, Jimmy Santoro, who toured with the band in support of their debut album, joined on guitar for the follow-up album. Bartlett was formerly lead guitarist for bubblegum group The Lemon Pipers, while Blauvelt played with Billy Joel in two bands, The Hassles and El Primo. Portrait of the Artist as a Young Ram is the second and final album by Ram Jam in 1978. Re-released in 2006 on Rock Candy Records. The title is a play on James Joyce's semi-autobiographical novel A Portrait of the Artist as a Young Man.01 - Gone Wild02 - Pretty Poison03 - The Kid Next Door04 - Turnpike05 - Wanna Find Love06 - Just Like Me07 - Hurricane Ride08 - Saturday Night09 - Runway Runaway10 - Please, Please, Please (Please Me)LINK |
 Please were formed by Peter Dunton and Bernie Jinks in late 1967. They had just returned to Britain from Germany where they had played with Neon Pearl, which also included their third member Jurgen Ermisch. The fourth original member Adrian Gurvitz later co-founded Gun. Unfortunately this line-up left no vinyl legacy or unreleased recordings that have been located behind it. They disbanded in May 1968 when Peter Dunton joined The Flies for whom he wrote both sides of their Magic Train 45.01 - We Aim To Please02 - No More White Horses03 - Paper Anne04 - Seaweed05 - Break The Spell06 - Strange Ways07 - Man With No Name08 - Watching09 - You're Still Waiting10 - Breakthrough11 - The Story12 - Folder ManLINK |
UK Power trio of keyboard, bass and drums. Straddling the line between hard rock and prog, there's a little something here to appease fans of both styles. Keyboards apparently just piano and organ, with the latter being especially hot-wired to make the keyboardist's style resemble Frumpy keyboardist Jean-Jacques KRAVETZ, or perhaps Dave STEWART at his most maniacal (see "Dreams Wide Awake" for an example). He can lash out at his organ with a recklessness that puts EMERSON to shame, listen to the solo on "Post War, Saturday Echo" if you don't believe me. Bass player John GUSTAFSON (pre-ROXY MUSIC) sings in a uncontrolled, manic voice that can often sound gut-wrenching. A couple of tracks (the ballad "Good Lord Knows" and the lengthy jam-orientated "Laughin' Tackle" include massed strings. In the 90s there suddenly was a QUATERMASS II, but their music seems to have very little to do with the original band. The latest CD is called "The Long Road". (progarchives)01 - Entropy02 - Back Sheep Of The Family03 - Post War, Saturday Echo04 - Good Lord Knows05 - Up On The Ground06 - Gemini07 - Make Up Your Mind08 - Laughin Tackle09 - Entropy10 - One Blind Mice11 - PuntingLINK |
Pearls Before Swine was an American psychedelic folk band formed by Tom Rapp in 1965 in Eau Gallie, now part of Melbourne, Florida. They released six albums between 1967 and 1971, before Rapp launched a solo career. One Nation Underground was the debut album by Pearls Before Swine. It was released on the ESP-Disk label in 1967. It was recorded at Impact Sound in New York City, between May 6-9, 1967, by the Florida-based group, which at that point comprised main songwriter and singer Tom Rapp, Wayne Harley, Lane Lederer, and Roger Crissinger. Percussion was by session musician Warren Smith. The album presents a mixture of styles - "psychedelic folk reminiscent of Donovan collides with Farfisa-driven punk and hard-to-categorize repetitive minimalism, all thrown together with the undisciplined, creative exuberance of youth".01 - Another Time02 - Playmate03 - Ballad To An Amber Lady04 - (Oh Dear) Miss Morse05 - Drop Out06 - Morning Song07 - Regions Of May08 - Uncle John09 - Is Shall Not Care10 - The Surrealist WaltzLINK |
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