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 21/2/70 Jahrhunderthalle, Frankfurt, Germany. Two shows (the first was scheduled to start at 7pm), Tull's first in Germany. Both sold out in advance (8,000), but 2,000 more fans arrived without tickets, and rioted when unable to get in. £5000 worth of windows were broken, and 5 people hospitalised. Supported by Clouds.01 - Nothing Is Easy02 - Bourèe-Living In The Past03 - A New Day Yesterday04 - Play In Time05 - Dharma For One06 - We Used To Know07 - Guitar Snippets-For A Thousand MothersLINK |
Brian Auger & The Trinity with Julie Driscoll - 1968 - Open Brian Auger and the Trinity were a British group led by the keyboardist Brian Auger. The album, 'Julie Driscoll, Brian Auger and the Trinity', Open, reached #12 in the UK Albums Chart in 1968.01 - In And Out02 - Isola Natale03 - Black Cat04 - Lament For Miss Baker05 - Goodbye Jungle Telegraph06 - Tramp07 - Why (Am I Treated So Bad)08 - A Kind Of Love In09 - Break It Up10 - Season Of The WitchLINK Brian Auger & The Trinity with Julie Driscoll - 1968 - Jools and Brian Brian Auger is a jazz and rock keyboardist, who has specialized in playing the Hammond organ. A jazz pianist, bandleader, session musician and Hammond B3 player, Auger has played or toured with artists such as Rod Stewart, Tony Williams, Jimi Hendrix, Sonny Boy Williamson, Led Zeppelin, Eric Burdon and others. He has incorporated jazz, early British pop, R&B, soul music and rock, and he has been nominated for a Grammy. Julie Driscoll is an English singer and actress, known for her 1960s versions of Bob Dylan's "This Wheel's on Fire", and Donovan's "Season of the Witch". She and Auger had previously worked in Steampacket, with Long John Baldry and Rod Stewart.01 - I Know You Love Me Not02 - Kiko03 - I Didn't Want To Have To Do It04 - Fool Killer05 - Don't Do It No More06 - Let's Do It Tonight07 - Green Onions08 - I Know You09 - Tiger10 - If You Should Ever Leave Me11 - Oh, Baby Won't You Come Back Home To CroydonLINK Brian Auger & The Trinity with Julie Driscoll - 1969 - Streetnoise  Streetnoise is a 1969 album by Julie Driscoll, Brian Auger and the Trinity, originally released as a double LP. It includes cover versions of The Doors’ "Light My Fire", Nina Simone’s "Take Me To The Water", Laura Nyro’s "Save The Country", Miles Davis' "All Blues", Richie Havens' "Indian Rope Man", and "Let The Sunshine In" from the musical Hair. Driscoll covers this wide range of musical influences easily and with her highly emotive and distinctive vocals, and with Auger's intense Hammond organ, the album is instrumentally interesting, too.01 - Tropic Of Capricorn02 - Czechoslovakia03 - Take Me To The Water04 - A Word About Colour05 - Light My Fire06 - Indian Rope Man07 - When I Was Young08 - Flesh Failures (Let The Sunshine In)09 - Ellis Island10 - In Search Of The Sun11 - Finally Found You Out12 - Looking In The Eye Of The World13 - Vauxhall To Lambeth Bridge14 - All Blues15 - I've Got Life16 - Save The CountryLINK Brian Auger & The Trinity - 1969 - Befour Befour is the last album of Brian Auger & The Trinity. The band become Brian Auger's Oblivion Express in 197001 - I Wanna Take You Higher02 - Pavane03 - No Time to Live04 - Maiden Voyage05 - Listen Here06 - Adagio Per Archi E Organo07 - Just You, Just Me08 - Rain Forest Talking [bonus]09 - Pavane (Demo Version) [bonus]LINK |
 One of the pivotal '70s pop bands, Badfinger released a number of highly praised albums on the Apple and Warner Bros. labels. But the original band never released a live album during its time together, and Day After Day is a long-overdue document of the original Badfinger's in-concert power. Day After Day includes two of Badfinger's greatest hits, "Day After Day," and "Baby Blue," along with many highlights of the Apple albums. Recorded in 1974 at the Cleveland Agora, the album captures Badfinger's last tour featuring all four original members: guitarists Joey Molland and Pete Ham, bassist Mike Gibbins, and drummer Tom Evans. 01 - Sometimes02 - I Don't Mind03 - Blind Owl04 - Give It Up05 - Constitution06 - Baby Blue07 - Name Of The Game08 - Day After Day09 - Timeless10 - I Can't Take ItLINK |
Five-piece from Galt, Ontario formed in 1970 from the remnants of the R & B cover band FJ And The Impressions which included bassist Mike Gingrich and organ player Ron Baumtrog. Amish started out playing cover versions of McKenna-Mendelson Mainline, The Modern Rock Quartet, The Doors and James Gang songs. The band's manager, Bill Gefross, brought them to the attention of US label Sussex Records where Motown producer Dennis Coffey and Mike Theodore, both staff producers for Sussex, took the band into GM Studios in East Detroit to record. Guitarist Botts was a draft dodger from the Viet Nam War and couldn't return to the United States to record so session guitarist Joe Gutz performed on the album instead. Their self-titled debut was distributed through Buddah Records in 1972. The album contains a remake of Traffic's "Dear Mr. Fantasy". The original song "Down The Road" was intended as a 7" release with the non-LP track "Upon My Leavin'", but the label never issued it. Ron Baumtrog (keyboard), Doug Stagg (vocals), Richard Botts (guitar), Mike Gingrich (bass), and Jack Byrne (drums).(Canadian Pop Encyclopedia)01 - Sad Girl02 - Black Lace Woman03 - Wise Man04 - Help Me05 - I Don't Need Nobody06 - Dear Mr. Fantasy07 - The Sea08 - Down The RoadLINK |
American Eagle were Greg Beck (guitar-vocals), Gene Hubbard (organ-piano-piano bass-vocals), Robert Lowery (vocals), and Fred Zuefeldt (drums-vocals). The group’s roots go back to the Seattle Washington area where Greg Beck and Fred Zuefeldt were members of the Viceroys, who also included future Raider Jim "Harpo” Valley, prior to this recording, the group recorded an album for Lee Hazlewood’s LHI label as Surprise Package releasing "Free Up” in 1968. They released this album about a year after the dissolution of the Package in the fall of 1969. Where the emphasis was on psychedelia on the previous album, here the band covers straightforward rock with a slight gospel rural feel to it. Highlights are "On The Rack” and a fine version of the Moody Blues’ "Nights In White Satin” that recalls the Vanilla Fudge. (JD-RT66)01 - Gospel02 - On The Rack03 - Heading For Defiance04 - Nights In White Satin05 - Family06 - Paper Box07 - Draw The Line08 - My Song09 - So SatisfiedLINK |
 A short-lived hard rock outfit, Ancient Grease were actually a band named Strawberry Dust from Neath in South Wales. This album was a collaboration between a few people from the hippyer band Eyes of Blue and Stawberry Dust. Gareth 'Morty' Mortimer - vocals, Jack Bass - bass, John 'Pugwash' Weathers - drums, Graham Williams - guitar, Phil Ryan - keyboards and Gary Pickford Hopkins - vocals. Women & Children First was released in 1970, but the band was renamed Ancient Grease by record producer Lou Reizner.01 - Freedom Train02 - Don't Want03 - Odd Song04 - Eagle Song05 - Where The Snow Lies Forever06 - Mother Grease The Cat07 - Time To Die08 - Prelude To A Blind Man09 - Mystic Mountain10 - Women And Children First11 - Freedom Train (Alt.Take)LINK |
 Aliotta-Haynes-Jeremiah was an American rock group from the early 1970s. This Chicago (West Allis Wisconsin) trio was originally comprised of bassist Mitch Aliotta, drummer Ted Aliotta and guitarist Skip Haynes. Ted left after their debut album to be replaced by pianist John Jeremiah. They scored a popular regional hit (Chicago area) in 1971 with the single and album "Lake Shore Drive," a homage to the famed lakefront highway in Chicago, and also to LSD, a hallucinogen. This is the 1st LP by this psych folk outfit. Sometimes reminding late 60s Byrds,a bit Pearls Before Swine in parts. Mitch Aliotta was bassist/vocalist from bands "Proper Strangers", and "Rotary Connection"01 - Long Time Gone02 - Poppa Song03 - Leavin' Chicago04 - Tomorrow's Another Day05 - For Eddy06 - Brother's Keeper07 - With My Eyes Closed08 - One Night StandLINK |
 Alexis Korner was a pioneering blues musician and broadcaster who has sometimes been referred to as "the Founding Father of British Blues". A major influence on the sound of the British music scene in the 1960s, Korner was instrumental in bringing together various English blues musicians. Alexis Andrew Nicholas Koerner was born in Paris to an Austrian father and Greek mother, and spent his childhood in France, Switzerland, and North Africa. He arrived in London in 1940 at the start of the Second World War. One memory of his youth was listening to a record by black pianist Jimmy Yancey during a German air raid. He said, "From then on all I wanted to do was play the blues." Korner's Bootleg Him! compiles material from roughly the first decade of the artist's career, ranging from the early 1960s through the early 1970s.01 - She Fooled Me02 - I'm A Hoochie Coochie Man03 - Yellow Dog Blues04 - I Wonder Who05 - Dee06 - Oh Lord, Don' Let Them Drop That Atomic Bomb On Me07 - Rockin'08 - Honesty09 - I Got A Woman10 - Mighty-Mighty Spade & Whitey11 - Corinna Corinna12 - Operator (Feat. Robert Plant)13 - The Love You Save14 - Jesus Is Just Alright15 - That's All16 - Evil Hearted Woman17 - Clay House Inn18 - Love Is Gonna Go19 - Sunrise20 - Hellhound On My TrailLINK |
BBC & TV Sessions 1965-70 plus some unreleased rarities01 - Anyway, Anyhow, Anywhere02 - Shout & Shimmy03 - I Can't Explain04 - My Generation05 - Baby, Don't You Do It06 - So Sad About Us07 - Happy Jack08 - So Sad About Us09 - My Generation10 - I Can See For Miles11 - I Can't Reach You12 - Our Love Was13 - Summertime Blues14 - Interview - 196915 - Pinball Wizard16 - I'm Free17 - See Me, Feel Me18 - I Don't Even Know Myself19 - Heaven & Hell20 - The Seeker21 - Shepherds Bush Entertainment22 - Dance23 - You Really Got Me24 - Young Man Blues25 - Here 'tisLINK |
 Long May You Run is an album released in September 1976 by The Stills-Young Band, a collaboration between Stephen Stills and Neil Young. The album peaked at #26 on the Billboard 200, was certified gold in the U.S. by the RIAA and remains the sole studio release by The Stills-Young Band. The Stills-Young Band recorded the album and began a tour in 1976 prior to the album's release but Young dropped out of the tour when he grew bored with the project, forcing Stills to complete the concert tour solo. The band was together from July through October 1976. Outside of Stills and Young, the other members of the group came from Stills' solo band. The album stemmed from a desire by both Young and Stills to pick up where they left off with their Buffalo Springfield-era guitar explorations. After a while, David Crosby and Graham Nash became involved with the project, and Long May You Run briefly became a CSNY album. However, Crosby and Nash eventually departed the project to focus on the material for what would become the duo's 1976 album, Whistling Down the Wire, and Young and Stills would remove Crosby and Nash's vocal harmonies and other contributions from the master tapes.01 - Long May You Run02 - Make Love To You03 - Midnight On The Bay04 - Black Coral05 - Ocean Girl06 - Let It Shine07 - 12-8 Blues (All The Same)08 - Fontainebleau09 - Guardian AngelLINK |
 These 25 tracks have been culled from a host of mid-'60s artists on the U.K.-based Decca Records label as part of their critically and enthusiastically lauded "Decca Originals" series. Each thematic entry gathers hard-to-locate tunes by a variety of lesser-known acts. The Beat Scene concentrates on groups stylistically akin to the early to mid '60s British Invasion beat bands. However, unlike the Beatles, the Dave Clark Five, or any of their other internationally renowned contemporaries, many of the acts featured here had comparatively nominal, if any, success outside of Europe.(AMG)01 - The Poets - I Love Her Still02 - The Game - Gonna Get Me Someone03 - Thee - Each & Every Day04 - The Mighty Avengers - (Walking Thru' The) Sleepy City05 - Shel Naylor - It's Gonna Happen Soon06 - Joe Cocker - I'll Cry Instead07 - Beat Boys - Third Time Lucky08 - The Mark Four - Hurt Me If You Will09 - Sandra Barry & The Boys - Really Gonna Shake10 - Lulu & The Luvvers - Surprise Surprise11 - The Mojos - Everything's Alright12 - The Beat Chics - Now I Know13 - Pete Best Four - I'm Gonna Knock On Your Door14 - The Warriors - Don't Make Me Blue15 - The Marauders - That's What I Want16 - The Brooks - Once In A While17 - Rick & Sandy - Lost My Girl18 - Unit 4+2 - I Was Only Playing Games19 - Tierneys Fugitives - Did You Want To Run Away20 - The Mockingbirds - One By One21 - The Rockin' Berries - Itty Bitty Pieces22 - The Knack - Who'll Be The Next In Line23 - Brian Poole & The Tremeloes - Keep On Dancing24 - The Hi Numbers - Heart Of Stone25 - The Andrew Oldham Orchestra - Da Doo Ron RonLINK |
 Keyboard player and vocalist John Morgan was a Graham Bond afficianado who turned toward psychedelia as the 1960's wore on. Billed originally as The Spirit of John Morgan, the band was successful enough to get booked into the Marquee and other top clubs, and cut three albums. Their self-titled debut into 1969 was followed by two more LPs in 1970 and 1972 (credited simply to John Morgan) for the Carnaby label. He also cut a single for British RCA in the early 1970's. Good psychedelic blues rock album.01 - I Want You02 - Honky Tonk Train Blues03 - She's Gone04 - Orpheus And None For Ye05 - The Yodel06 - Shout For Joy07 - Ride On (A Train For All Reasons)08 - Yorkshire Blues09 - The Floating Opera ShowLINK |
The Royal Guardsmen are a rock band from Ocala, Florida, a sextet originally composed of Bill Balough (bass), John Burdett (drums), Chris Nunley (vocals), Tom Richards (guitar), Billy Taylor (organ), and Barry Winslow (vocals/guitar). Rick Cosner replaced John Burdett on drums in 2006. The current band performs regularly around the United States. Originally known as the Posmen, the band adopted their anglophile moniker during the British Invasion, led by The Beatles and other British artists. They achieved fame with their second (vinyl) single, "Snoopy Vs. The Red Baron" in 1966, which was also the title of their first album the same year. It soon reached #2 in the U.S. Billboard Hot 100, remaining in the bestsellers for 12 weeks, with an eventual one million sale in early 1967 and a gold record from the R.I.A.A. in February 1967. Snoopy, the Red Baron, and aircraft became a recurring theme in their songs, though they did have some chart singles without those themes, including "Any Wednesday", "I Say Love", and the Top 40 hit "Baby Let's Wait", a re-release of their first single. The original group split in 1969.01 - Snoopy Vs. The Red Baron02 - The Return Of The Red Baron03 - Airplane Song (My Airplane)04 - Any Wednesday05 - I Say Love06 - Snoopy For President07 - Baby Let's Wait08 - Leaving Me09 - It's Sopwith Camel Time10 - Biplane Evermore11 - Shot Down12 - Searching For The Good Times13 - Smallest Astronaut14 - Mother, Where's Your Daughter15 - Down Behind The Lines16 - Om17 - I'm A Man18 - So You Want To Be A Rock'n Roll Star19 - As Tears Go By20 - Snoopy's ChristmasLINK |
At Your Birthday Party is the third studio album by Steppenwolf, released in 1969 on the label ABC Dunhill Records. It was the first Steppenwolf album to feature bass player Nick St. Nicholas. Although it was less critically acclaimed than their successful first two albums, Steppenwolf and Steppenwolf the Second, it contained a few well-known hits, such as "It's Never Too Late" and "Jupiter's Child", as well as the colossal "Rock Me". Still it would be their last top ten album with their last top ten hit. Even then, though, the album showcases Steppenwolf at their peak, coming out of, but not yet completely abandoning, the psychedelia of Steppenwolf the Second and stepping into the distinctive hard rock of their later releases, but with less weight here than later, meaning it slides faster and more furiously.01 - Don't Cry02 - Chicken Wolf03 - Lovely Meter04 - Round And Down05 - It's Never Too Late06 - Sleeping Dreaming07 - Jupiter's Child08 - She'll Be Better09 - Cat Killer10 - Rock Me11 - God Fearing Man12 - Mango Juice13 - Happy BirthdayLINK |
13th Floor Elevators - 1965-69 - Manicure Your Mind, Best of...
The 13th Floor Elevators were an American rock band from Austin, Texas formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland, which existed from 1965 to 1969. During their career, the band released four LPs and seven 45s for the International Artists record label. The 13th Floor Elevators found some commercial and artistic success in 1966-67, before dissolving amid legal troubles and drug use in late 1968.01 - Tried To Hide.mp3
02 - Thru The Rhythm.mp3
03 - Don't Fall Down.mp3
04 - You Don't Know (How Young You Are).mp3
05 - Roller Coaster.mp3
06 - Fire Engine.mp3
07 - Fire In My Bones.mp3
08 - Monkey Island.mp3
09 - Dust.mp3
10 - Splash 1.mp3
11 - Kingdom Of Heaven.mp3
12 - You're Gonna Miss Me.mp3
13 - She Lives (In A Time Of Her Own).mp3
14 - Reverberation.mp3
15 - Levitation Blues.mp3
16 - Levitation Blues [Alternate Version].mp3
17 - Roller Coaster.mp3
18 - Stand For The Fire Demon.mp3
LINK
13th Floor Elevators - 1966-68 - Never Come Down
01 - You Can't Hurt Me Anymore.mp3
02 - Before You Accuse Me.mp3
03 - You Gotta Take That Girl.mp3
04 - Splash 1.mp3
05 - Fire Engine.mp3
06 - Roller Coaster.mp3
07 - Monkey Island.mp3
08 - Thrue the Rhythm.mp3
09 - Tried to Hide.mp3
10 - Roller Coaster.mp3
11 - Fire Engine.mp3
12 - Youre Gonna Miss Me.mp3
13 - Monkey Island.mp3
14 - Dont Fall Down.mp3
15 - You Dont Know.mp3
16 - Thru The Rhythm.mp3
17 - Tried To Hide.mp3
18 - Levitation.mp3
19 - Splash 1.mp3
20 - Right Track Now.mp3
21 - Dust.mp3
22 - Fire in My Bones.mp3
23 - I Dont Ever Wanna Come Down.mp3
LINK |
Andwellas Dream - 1969 - Love And Poetry Andwella's Dream was an obscure UK/Irish band in London formed in 1969. This band started life as a trio from Northern Ireland called Method, changing their name to Andwella's Dream after moving to London in 1968. Specialising in progressive rock, it was fronted by Dave Lewis from Northern Ireland, who went on to write "Happy To Be An Island In The Sun" that was recorded by and became an international hit for Demis Roussos. After the first LP they were known simply as Andwella.01 - The Days Grew Longer For Love02 - Sunday03 - Lost A Number Found A King04 - Man Without A Name05 - Clockwork Man06 - Cocaine07 - Shades Of Grey08 - High On A Mountain09 - Andwella10 - Midday Sun11 - Take My Road12 - Felix13 - GoodbyeLINK Andwella (Andwellas Dream) - 1970 - World's End In 1970 they switched to Reflection for whom they recorded two albums, neither of which matched their first effort and two 45s. The World's End album was also comprised entirely of Dave Lewis compositions, but most of the tracks were more mainstream with string orchestrations, brass arrangements and background vocals.01 - Hold On To Your Mind02 - Lady Love03 - Michael Fitzhenry04 - I'm Just Happy To See You Get Her05 - Just How Long06 - World's End Part I07 - World's End Part Ii08 - Back On The Road09 - I Got A Woman10 - Reason For Living11 - Shadow Of The NightLINK |
Colosseum - 1968 - Those Who Are About To Die Salute You Colosseum is a pioneering British progressive jazz-rock band mixing progressive rock and jazz-based improvising. The band was formed in 1968 by drummer Jon Hiseman, tenor sax player Dick Heckstall-Smith and bass player Tony Reeves, who had previously worked together in John Mayall's Bluesbreakers on the Bare Wires album. Dave Greenslade, on organ, was immediately recruited, and the line-up was completed by Jim Roche on guitar. Roche only recorded one track before being replaced by James Litherland, (guitar and vocals). The band made their live debut in Newcastle and were promptly recorded by influential BBC Radio One DJ John Peel for his Top Gear Radio program. This appearance gained them valuable exposure and critical acclaim. Colosseum's first album, Those Who Are About To Die Salute You, was released by the Fontana label in 1969. Colosseum also played the "Super Session" program produced by BBC with Modern Jazz Quartet, Led Zeppelin, Jack Bruce, Roland Kirk Quartet, Eric Clapton, Steve Stills, and Juicy Lucy.
01 - Walking In The Park
02 - Plenty Hard Luck
03 - Mandarin
04 - Debut
05 - Beware The Ides Of March
06 - Track 6
07 - The Road She Walked Before
08 - Those About To Die
LINK
Colosseum - 1969 - Valentyne Suite
Colosseum's second album, also in 1969, was Valentyne Suite, notable as the first release from Vertigo Records, the first label to sign heavy metal pioneers Black Sabbath. Vertigo Records was a branch of Philips, established to sign and develop artists that did not fit the main Philips Records brand.
01 - The Kettle
02 - Elegy
03 - Butty's Blues
04 - The Machine Demands A Sacriface
05 - The Valentyne Suite
Theme One: January's Search
Theme Two: February's Valentyne Suite
Theme Three: The Grass Is Always Greener
LINK
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Faces (sometimes known as The Faces) are an English rock band formed in 1969 by members of the Small Faces after Steve Marriott left that group to form Humble Pie. The remaining Small Faces - Ronnie Lane (bass guitar), Ian McLagan (keyboards) and Kenney Jones (drums & percussion) - were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from The Jeff Beck Group, and the new line-up was renamed Faces. Faces released four studio albums and toured regularly until the autumn of 1975, although Stewart simultaneously pursued a solo recording career, and during the band's final year Wood also toured with The Rolling Stones, whom he later joined. Long Player, from 1971, was the second album by Faces. Among the highlights are the live cover of Paul McCartney's "Maybe I'm Amazed", the rave-up "Had Me a Real Good Time" and the opening "Bad 'n' Ruin". A single version of "Maybe I'm Amazed" appeared just ahead of the album, featuring a studio version of the song in lieu of the live version presented on the album proper.01 - Bad 'n' Ruin02 - Tell Everyone03 - Sweet Lady Mary04 - Richmond05 - Maybe I'm Amazed06 - Had Me A Real Good Time07 - On The Beach08 - I Feel So Good09 - JerusalemLINK |
 The origin of Affinity was, circa 1965 in the science department of the University of Sussex in Brighton, England. Three science students called Lynton Naiff (piano), Grant Serpell (drums), and Nick Nicholas (double bass) had formed the US Jazz Trio, they played at University events and local gigs. When Serpell graduated a year later he was replaced by Mo Foster who had earlier been playing bass guitar in his school band but had now adapted to playing drums. After university Naiff and Serpell, along with members of other bands gathered from other university bands, formed the pop group Ice. Although Ice was moderately successful commercially it only lasted for about a year before it disbanded. Although Ice had disbanded, Naiff and Serpell were keen to continue with a career in music. They decided to start a new jazz-influenced pop band. To this end they invited Foster to join them, only this time on bass guitar as Serpell would be carrying out the drummer's duties. After holding auditions they met ex-Tridents guitarist Mike Jopp. They liked his playing and his ability to play both jazz and pop, and perhaps more importantly he had his own amp and a car.The auditions continued for a singer. They unanimously decided on an English teacher they had met previously, Linda Hoyle. After obtaining a loan, which was guaranteed by Jopp's father, they bought the equipment needed to start the band. They bought Impact amplifiers, a Hammond M102 organ, a Gibson EBO bass guitar, some microphones and a grey Ford Transit van. They then spent the summer of 1968 rehearsing, writing, and generally chilling out at a rented bungalow on the edge of Brighton. The first thing they needed to do though was invent a name for themselves, eventually they settled on "Affinity" which came from the name of an Oscar Peterson LP.01 - I Am And So Are You02 - Night Flight03 - I Wonder If I Care As Much04 - Mr. Joy05 - Three Sisters06 - Cocoanut Grove07 - All Along The Watchtower08 - Eli's Coming09 - United States Of MindLINK |
 Bulldog were an obscure spinoff of the Rascals that formed in 1971. Gene Cornish and Dino Danelli, after leaving their successful act behind, enlisted Billy Hocher, John Turi and Eric Thorngren to round out the lineup. After a successful showcase performance, Decca Records came calling and soon Bulldog's self-titled debut was released. Though the album sported some uncharacteristic heaviness that surely surprised Rascals fans, the album was a bit too short on hooks to captivate the fickle record buying public. Perhaps the gruff Bob Seger/Joe Cocker vocals of Hocher seemed like a strange pairing with the material presented.01 - Flamingo02 - Are You Really Happy Together03 - Honeymoon Couple04 - Bad Bad Girl05 - Brown Eyed Handsome Man06 - We Had A Real Good Time07 - Ooh When You Smile08 - Rock & Roll Hootchie Coo09 - I Tip My Hat10 - I Tried To SleepLINK |
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