Friends is the fourteenth studio album by The Beach Boys, released in 1968. As work on the album began in February 1968, Mike Love, a recent convert to transcendental meditation (TM), departed on a two week trip to India (alongside The Beatles and Donovan) to study TM further with his new master, Maharishi Mahesh Yogi. In his absence, the remaining Beach Boys, Brian Wilson, Dennis Wilson, Carl Wilson, Al Jardine and, now an official member, Bruce Johnston recorded the bulk of Friends along with selected members of The Wrecking Crew. 01 - Meant For You 02 - Friends 03 - Wake The World 04 - Be Here In The Mornin' 05 - When A Man Needs A Woman 06 - Passing By 07 - Anna Lee, The Healer 08 - Little Bird 09 - Be Still 10 - Busy Doin' Nothin' 11 - Diamond Head 12 - Transcendental Meditation 13 - We're Together Again 14 - Walk On By 15 - Old Folks At Home-Ol' Man River LINK
Smiley Smile is the twelfth studio album by The Beach Boys, issued in 1967. Released in the place of the much-touted Smile, Smiley Smile is widely considered to be under-produced, and it was received with indifference and confusion upon its unveiling. However, Smiley Smile has managed to grow in stature over the years to become a cult favorite in The Beach Boys' recorded catalog. 01 - Heroes And Villains 02 - Vegetables 03 - Fall Breaks And Back To Winter 04 - She's Goin' Bald 05 - Little Pad 06 - Good Vibrations 07 - With Me Tonight 08 - Wind Chimes 09 - Gettin' Hungry 10 - Wonderful 11 - Whistle In LINK
Pet Sounds is the eleventh studio album by The Beach Boys, released May 16, 1966, on Capitol Records. It has been widely ranked as one of the most influential records ever released in popular music and has been ranked at #1 in several music magazines' lists of greatest albums of all time, including New Musical Express, The Times and Mojo Magazine. In 2003, it was ranked #2 in Rolling Stone's 500 Greatest Albums of All Time list. Pet Sounds was created several months after Brian Wilson had quit touring with the band in order to focus his attention on writing and recording. In it, he wove elaborate layers of vocal harmonies, coupled with sound effects and unconventional instruments such as bicycle bells, buzzing organs, harpsichords, flutes, Electro-Theremin, dog whistles, Hawaiian-sounding string instruments, Coca-Cola cans and barking dogs, along with the more usual keyboards and guitars. 01 - Wouldn't It Be Nice 02 - You Still Believe In Me 03 - That's Not Me 04 - Don't Talk (put Your Head On My Shoulder) 05 - I'm Waiting For The Day 06 - Let's Go Away For Awhile 07 - Sloop John B. 08 - God Only Knows 09 - I Know There's An Answer 10 - Here Today 11 - I Just Wasn't Made For These Times 12 - Pet Sounds 13 - Caroline, No LINK
Beach Boys' Party! is an album of cover songs (featuring acoustic instruments) by The Beach Boys that was marketed during the lucrative Christmas season. The original album release included a sheet of photographs of the band 'appearing' to be at the party at hand. It was The Beach Boys' tenth album release, and their third in 1965. Although it was recorded in a music studio, it is presented as an impromptu live recording of a party. 01 - Hully Gully 02 - I Should Have Known Better 03 - Tell Me Why 04 - Papa-Oom-Mow-Mow 05 - Mountain Of Love 06 - You've Got To Hide Your Love Away 07 - Devoted To You 08 - Alley Oop 09 - There's No Other (Like My Baby) 10 - Medley - I Get Around - Little Deuce Coupe 11 - The Times They Are A-Changin' 12 - Barbara Ann LINK
Summer Days (And Summer Nights!!) is the ninth studio album by The Beach Boys and their second in 1965. Summer Days (And Summer Nights!!) hit #2 in the US during a chart stay of 33 weeks. It reached #4 in the UK in the summer of 1966. In the early 1980s, as part of Capitol Records' reissue series of their Beach Boys albums, Summer Days (And Summer Nights!!) was retitled California Girls and had two tracks removed: "Amusement Parks, USA" and "I'm Bugged at My Ol' Man". Brian has said on his facebook page recently that this is his favorite Beach Boys album. 01 - The Girl From New York City 02 - Amusement Parks U.S.A. 03 - Then I Kissed Her 04 - Salt Lake City 05 - Girl Don't Tell Me 06 - Help Me, Rhonda [Single Version] 07 - California Girls 08 - Let Him Run Wild 09 - You're So Good To Me 10 - Summer Means New Love 11 - I'm Bugged At My Ol' Man 12 - And Your Dream Comes True LINK
The Who are an English rock band formed in 1964 by Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums). They became known for energetic live performances which often included instrument destruction. The Who have sold about 100 million records, and have charted 27 top forty singles in the United Kingdom and United States, as well as 17 top ten albums, with 18 Gold, 12 Platinum and 5 Multi-Platinum album awards in the United States alone. This collection commemorates the 40th anniversary of the Who, and covers the entire span of their career. Perhaps even more significantly, though, it includes the first new Who recordings in 22 years. The youthful vibrancy of the band's mid-1960s mod period is represented by the breathless "I Can'tExplain," the sneering/stuttering youth-culture anthem "My Generation," and the proto-"All the Young Dudes" camaraderie of "The Kids Are Alright." The collection moves on through the high points of their late '60s output ("I Can See for Miles"), '70s arena rock ("Won't Get Fooled Again"), and the synth-adorned, post-Keith Moon "You Better You Bet." 01 - I Can't Explain 02 - My Generation 03 - The Kids Are Alright 04 - Substitute 05 - I'm A Boy 06 - Happy Jack 07 - I Can See For Miles 08 - Magic Bus 09 - Pinball Wizard 10 - See Me, Feel Me 11 - Baba O'riley 12 - Behind Blue Eyes 13 - Won't Get Fooled Again 14 - 515 15 - Love Reign O'er Me 16 - Squeeze Box 17 - Who Are You 18 - You Better You Bet 19 - Real Good Looking Boy 20 - It's Not Enough LINK
The Doors were an American rock band formed in 1965 in Los Angeles, California, with vocalist Jim Morrison, keyboardist Ray Manzarek, drummer John Densmore, and guitarist Robby Krieger. The band took its name from Aldous Huxley's book The Doors of Perception, the title of which was a reference to a William Blake quotation: "When the doors of perception are cleansed, things will appear to man as they truly are...infinite." They were among the most controversial rock acts of the 1960s, due mostly to Morrison's wild, poetic lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until finally disbanding in 1973. Although The Doors' active career ended in 1973, their popularity has persisted. According to the RIAA, they have sold over 32.5 million albums in the US alone. The band has sold 90 million albums worldwide. Ray Manzarek and Robby Krieger continue to tour as Manzarek-Krieger, performing Doors songs exclusively. The Doors is the debut album by the American rock band The Doors, recorded in August 1966 and released in January 1967. It features the breakthrough single "Light My Fire", extended with a substantial instrumental section mostly omitted on the single release, and the lengthy song "The End" with its Oedipal spoken-word section. The Doors credit the success of their first album to being able to work the songs out night after night at the Whisky a Go Go and the London Fog. The album was ranked number 42 on Rolling Stone's list the 500 Greatest Albums of All Time. 01 Break on through (to the other side) 02 Soul kitchen 03 The crystal ship 04 Twentieth century fox 05 Alabama song (whisky bar) 06 Light my fire 07 Back door man 08 I looked at you 09 End of the night 10 Take it as it comes 11 The end
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Ramatam was a 1970s rock band featuring Mike Pinera on guitar and vocals, Mitch Mitchell on drums, and April Lawton on lead guitar. Tom Dowd produced their self-titled debut album in 1972. Pinera was known for his work with Blues Image ("Ride Captain Ride") and later Iron Butterfly. Mitchell was previously with the Jimi Hendrix Experience.The group also included some former members of Janis Joplin's Big Brother and The Holding Company. After some changes in membership, the band released its second and final album, In April Came the Dawning of the Red Suns (1973). Pinera and Mitchell had departed from the band at that point, leaving the band's focus entirely on Lawton. The band fractured under the pressure of life on the road and broke up in 1974. Ramatam was notable for having April Lawton, a female lead guitarist. At the time of the first album's release, female rock musicians who actively played and participated in the band were relatively rare, particularly female musicians who played aggressive lead guitar, as Lawton did. She was favorably compared to Jeff Beck by Guitar Player Magazine. 01 - Whiskey Place 02 - Heart Song 03 - Ask Brother Ask 04 - What Dream I Am 05 - Wayso 06 - Changing Days 07 - Strange Place 08 - Wild Like Wine 09 - Can't Sit Still LINK
Power Of Zeus released their one and only album on the Rare Earth label in 1970. The Gospel According To Zeus is an inspired amalgam of screaming rock histrionics, oddball psychedelic strangeness and some of themost intuitively funky yet blisteringly heavy music ever committed to tape. The album has become highly sought after by breakbeat collectors, hip hop producers and other such connoisseurs of aged vinyl because of the lengthy "open" (ie solo) drum break in the final track, The Sorcerer Of Isis (The Ritual Of The Mole). The record currently sells for around 80-90 from break dealers. A CD reissue was made available in the late 90s but that is also relatively scarce. Joe Periano: guitar, Bill Jones: bass, Dennie Webber: organ, harpsichord and piano and Bob Michalski: drums 01 - It Couldn't Be Me 02 - In The Night 03 - Green Grass & Clover 04 - I Lost My Love 05 - The Death Trip 06 - No Time 07 - Uncertain Destination 08 - Realize 09 - Hard Working 10 - The Sincery Of Stsis LINK
Iota was a Northeast El Paso band. Carl Neer (vocals, bass); Mark Evans (guitar); Steve Phipps (organ) and Rich Ramaka (drums). Iota's biography is a short read and its discography even shorter. Hailing from El Paso, TX, this four-piece was active in the late '60s and early '70s. It recorded a studio session in 1971 for the Suemi label, out of which two singles came out. Success -- and the projected LP -- never materialized. Thanks to Suemi's archiving care, the Shadoks imprint was able to retrieve this lost album in 2003. Iota had little money and Suemi spent little more on them: The eight-track tapes sound thin and under-produced, but the music features enough original quirks to catch the interest of '70s psychedelic/acid rock collectors. To the standard post-Cream power trio, Iota added Hammond organ (played by Steve Phipps), which takes the group's sound closer to early Deep Purple, especially in "Sing for You." The highlight of the set is "Precincts," the group's first single A-side. A dark, moody song mixed with lots of cavernous bass, it is unusual even by heavy psych rock standards and features a gripping melody delivered with much drama by leader Carl Neer. "Love Come Wicked," "Bottle Baby," and "Better Place" also stand as nicely written songs and walk the line separating blues-rock and psych rock. More overtly pop, "I'm Gonna Be a Man" and "Our Love So Warm" are less successful.(AMG) 01 - Precincts 02 - Glympses 03 - R.I.P. 04 - Love Come Wicked 05 - Bottle Baby 06 - Sing For You 07 - Better Place 08 - The Words Are True 09 - I'm Gonna Be A Man 10 - Our Love So Warm LINK
Despite the lip-service paid to bebop and modal jazz -- particularly the playing of legends such as John Coltrane and Miles Davis -- by the late-'60s countercultural scene, few of its rock bands actually attempted to translate the interest into music. The sole album from High Treason, however, was steeped in the genre, thanks in large part to leader and schooled keyboard whiz (check the Bach-like Baroque progressions of "Circadian Rhythm") Edgar Koshatka. High Treason marries extensive jazz interplay with a darkly atmospheric type of rock that took its cues, right down to the shared coed vocals, from the Jefferson Airplane. The music ultimately isn't as accomplished as anything in that band's catalog, but it is for want of distinctive songwriting, not because High Treason lacked the chops or ideas to compete with the top-flight artists of the day. High Treason has musicianship to spare, a profusion of adventuresome moments. But at just six numbers, it is very much an album that puts musical skills before songs. Vocalists Marcie Rauer and Joe Cleary sound much more at ease on the funky country-soul of "Maybe, Maybe," the finest actual song on the album, than they do on the jazzy and psychedelic material (the embarrassing scat interpretation of "Subterranean Homesick Blues," for instance). Rauer, in particular, tends to over-sing at times, presumably in an effort to sound more like Grace Slick. The instrumentalists suffer no such problem. On the final two cuts, "The Witch" and "Fallin' Back," the band delves all the way into straight jazz during extended instrumental passages with electric results. But both also highlight the problematic nature of the album. As wonderful as the music can be -- and each song has scintillating flashes -- there simply is nothing to take away except the memory of the outstanding playing. ~ Stanton Swihart This self-titled LP was recorded in Philadelphia & features some back up by musicians that played with Perry Leopold. The album features the beautiful & haunting female vocals of Marcie Rauer, who sings over the spacey, jazzy, bluesy & psychedelic sound. Marcie Rauer (vocals), Joe Cleary (vocals); Saul Goodman (guitar); Edgar Koshatka (keyboards); Bobby Blumenthal (percussion). 01 - Leo 02 - Maybe, Maybe 03 - Subterranean Homesick Blues 04 - Circadian Rhythm 05 - The Witch 06 - Fallin' Back LINK
Freedom was a psychedelic rock band active in the late 1960s and early 1970s, formed initially by members of Procol Harum. Ray Royer and Bobby Harrison, who had performed on the hit Procol Harum single "A Whiter Shade of Pale", were kicked out of the Harum by vocalist Gary Brooker, and replaced by Robin Trower and Barry Wilson. Royer and Harrison then formed Freedom with Steve Shirley and Tony Marsh, who was immediately replaced by pianist/organist Mike Lease, releasing a two German singles and the soundtrack for the Dino de Laurentiis film Black on White. In 1968, Harrison entirely overhauled the group's membership, and the new lineup began recording with more of a hard rock sound, scoring tour dates with Black Sabbath, Jethro Tull, and The James Gang. Further lineup changes occurred before the band finally splintered in 1972, with Harrison going on to Snafu. Freedom At Last was the second release of the band. 01 - Enchanted Wood 02 - Deep Down the Bottom 03 - Have Love Will Travel 04 - Cry Baby Cry 05 - Time Of The Season 06 - Hoo Doo Man 07 - Built For Comfort 08 - Fly 09 - Never Loved A Girl 10 - My Life 11 - Can't Stay With Me 12 - Dusty Track 13 - Dirty Water (Bonus Track) 14 - Ain't No Chance To Score (Bonus Track) LINK
The Kinks were an English rock band formed in Muswell Hill, North London, by brothers Ray and Dave Davies in 1964. Categorized in the United States as a British Invasion band, The Kinks are recognized as one of the most important and influential rock acts of the era. Their music was influenced by a wide range of genres, including rhythm and blues, British music hall, folk, and country. Ray Davies (lead vocals, rhythm guitar) and Dave Davies (lead guitar, vocals) remained members throughout the group's 32-year run. Original members Pete Quaife (bass guitar, vocals) and Mick Avory (drums and percussion) were replaced by John Dalton in 1969 and Bob Henrit in 1984, respectively. Dalton was in turn replaced by Jim Rodford in 1978. Keyboardist Nicky Hopkins accompanied the band during studio sessions in the mid-1960s. Later, various keyboardists, including John Gosling and Ian Gibbons, were full-time members. The Kinks first came to prominence in 1964 with their third single, "You Really Got Me", written by Ray Davies. It became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Kinks is the self-titled debut album by The Kinks, released in 1964. It was released with three tracks missing as You Really Got Me in the United States. The album was re-released in 1998 in the UK on Castle Records with twelve bonus tracks. This reissue was itself reissued in 2004 on the Sanctuary label. 01 - Beautiful Delilah 02 - So Mystifying 03 - Just Can't Go To Sleep 04 - Long Tall Shorty 05 - I Took My Baby Home 06 - I'm A Lover Not A Fighter 07 - You Really Got Me 08 - Cadillac 09 - Bald Headed Woman 10 - Revenge 11 - Too Much Monkey Business 12 - I've Been Driving On Bald Mountain 13 - Stop Your Sobbing 14 - Got Love If You Want It LINK
Mason Proffit was a folk rock band from Chicago, Illinois that released five albums between 1969 and 1973. Brothers Terry Talbot and John Michael Talbot played together in several local bands around Indianapolis, Indiana and later in Chicago. After their group Sounds Unlimited disbanded, in 1969 they formed Mason Proffit with a focus on the emerging blend of folk, country and rock that would come to be called country rock. Older brother Terry's "Two Hangmen" from their first album Wanted..., became a regional hit and helped their second album, Movin' Toward Happiness, chart on the Billboard 200. In 1972, the band signed to Warner Bros. Records and continued touring, performing up to 300 concerts each year. Some of Mason Proffit's opening acts during that time included The Doobie Brothers, Steely Dan, John Denver, and Mac Davis. Their country-rock-bluegrass style was innovative yet difficult to place in a marketing genre. Their live shows were high energy. Mason Proffit disbanded in 1973 when brothers John and Terry Talbot left the band and began performing as a duo. 01 - Voice of Change 02 - A Rectangle Picture 03 - You Finally Found Your Love 04 - Sweet Lady Love 05 - Stewball 06 - Two Hangmen 07 - Buffalo 08 - Walk On Down The Road 09 - Its All right 10 - Till The Sun Goes Down 11 - Johnnys Tune LINK
Velvet Fogg were one of the myriad of obscure late-60s one-album-wonder bands, but a name even to most collectors of prog-psychedelia. I picked up a copy of the original vinyl album for a song in the late 70s, and was intrigued to hear that I'd actually missed out on something rather better than the garish cover might have led me to expect. An early incarnation of the band (which like many had evolved out of an obscure beat outfit) was graced by the presence of Sabbath's Tony Iommi, but that seems to be Fogg's only claim to relative fame. Tony's eventual replacement, guitarist/vocalist Paul Eastment, then formed the mainstay of the band, which was one of a raft of "underground-style" signings to the then ailing Pye label at the tail end of the decade (in a last bid to give the label some prog-cred). Velvett Fogg was more or less exclusively a studio band, and a fairly laid-back one at that; even John Peel's otherwise useful original liner note for the album admitted to an ignorance of the band personnel (which, apart from Paul, comprised keyboardist Frank Wilson, later of Warhorse, and Mick Pollard and Graham Mullett)! And the band's sole album (released in the first month of 1969) shouldn't be written off either, as in spite of the avowedly "cobbled-together" gestation of its various components it's a well-above-passable, nay very credible example of the then-burgeoning psych-prog crossover genre. Running an expectedly wide stylistic gamut in its nine tracks, you'll find shades of (early) Deep Purple (Yellow Cave Woman), definite overtones of Vanilla Fudge (a typical cover - the Bee Gees' New York Mining Disaster 1941), a token Jimmy Smith-style cool jazz organ-led workout (Owed To The Dip), a cheeky proto-Tolkien tale (the rather "hobbit-forming" Wizard Of Gobsolod), distinct eastern leanings (Within The Night), White Noise/USA-like electronic treatments (an eerie cover of Tim Rose's Come Away Melinda) and tuneless heavy thrash (Plastic Man).(AMG) 01 - Yellow Cave Woman 02 - New York Mining Disaster 03 - Wizard Of Gobsolod 04 - Once Among The Trees 05 - Lady Caroline 06 - Come Away Melinda 07 - Owed To The Dip 08 - Within The Night 09 - Plastic Man 10 - Telstar 69 (Bonus) LINK
Fotheringay was a short-lived British folk rock group formed in 1970 by singer Sandy Denny on her departure from Fairport Convention. The band drew its name from her composition Fotheringay about Fotheringhay Castle, in which Mary, Queen of Scots had been imprisoned. The song originally appeared on the 1969 Fairport Convention album, What We Did on Our Holidays, Denny's first album with that group. Two former members of Eclection, Trevor Lucas and Gerry Conway, and two former members of Poet and the One Man Band, Jerry Donahue and Pat Donaldson (bass), completed the line-up responsible for what was long assumed to be the quintet's only album. Fotheringay disbanded in January 1971 during sessions for a projected second album. In 2007 the BBC announced that Donahue would be attempting to complete the abandoned project (which he accomplished using previously unheard takes from the original archived tapes). Permission had finally been granted and the work was completed by summer of the following year. The resulting album, titled Fotheringay 2, was released on 29 September 2008. 01 - Nothing More 02 - The Sea 03 - The Ballad Of Ned Kelly 04 - Winter Winds 05 - Peace In The End 06 - The Way I Feel 07 - The Pond And The Stream 08 - Too Much Of Nothing 09 - Banks Of The Nile 10 - Two Weeks Last Summer (live) 11 - Nothing More (live) 12 - Banks Of The Nile (live) 13 - Memphis Tennessee (live) LINK
Cressida were a British progressive rock band, best known for their mellow, symphonic sound. Originally known as Charge, they were active from 1968 and 1970, and recorded two albums for Vertigo. The roots of Cressida were sown in March 1968, when guitarist John Heyworth answered an advertisement in Melody Maker, and later travelled to London to join The Dominators, a band whose situation he later described as "hopeless - until Angus Cullen applied for the lead singer spot". He and Heyworth hit it off immediately, and Heyworth was invited to stay at Cullen's family flat in Barkstone Gardens near Earl's Court. The pair settled down to some serious writing, eventually welcoming bassist Kevin McCarthy and drummer Iain Clark to the fold and now calling themselves Charge. Angus Cullen - lead vocals, acoustic guitar, percussion, John Heyworth - guitars, vocals (1968-70), John Culley - guitars (1970), Lol Coker - organ (1968-69), Peter Jennings - organ, piano, Mellotron (1969-70), Kevin McCarthy - bass and Iain Clark - drums, percussion. Cressida from 1970 is the debut album of the band. Disbanded in September 1970. 01 - To Play Your Little Game 02 - Winter Is Coming Again 03 - Time For Bed 04 - Cressida 05 - Home And Where I Long To Be 06 - Depression 07 - One Of A Group 08 - Light In My Mind 09 - The Only Earthman In Town 10 - Spring '69 11 - Down Down 12 - Tomorrow Is A Whole New Day LINK
Often overlooked early '70s hard rockers Bull Angus' second and last album Free For All is less heavy than their superior self-titled debut, more jammy and progressive-minded (especially on the first side), but is still a solid offering from the upstate New York six-piece. Once again produced by Vinny Testa, the 1972 release opens strong with the lengthy "Lone Stranger", but never really kicks into high gear again until side two's awesome opener "Savoy Truffle", a spirited run through a personal favorite Beatles' deep cut from The Beatles [White Album], which is followed by the equally cool "Drivin' Me Wild", pompy "(We're the) Children of Our Dreams", and "Train Woman Lee". 01 - Lone Stranger 02 - City Boy 03 - Loving Till End 04 - Savoy Truffle 05 - Drivin' Me Wild 06 - (We're The) Children Of Our Dreams 07 - Train Woman Lee LINK
The Dave Clark Five were an English pop rock group. They were the second group of the British Invasion, after The Beatles, to appear on The Ed Sullivan Show when the single "Glad All Over" knocked "I Want to Hold Your Hand" off the top of the British charts, then in February 1964 went to #6 in the United States. The Dave Clark Five had several more hit songs in the United States during 1964-67, including "Bits and Pieces" (#4, April 1964), "Can't You See That She's Mine" (#4, June 1964), "Because" (#3, August 1964), "Anyway You Want It" (#14, November 1964), "I Like It Like That" (#7, June 1965), "Catch Us If You Can" (#4, August 1965), "Over And Over" (#1, December 25, 1965), and "You Got What It Takes" (#7, April 1967). The group disbanded in late 1970. On 10 March 2008 the band was inducted into the Rock and Roll Hall of Fame. American Tour, is the third US release in 1964, and isn't a live album of the tour, is a studio recording release. 01 - Because 02 - Who Does He Think He Is 03 - Move On 04 - Whenever You`re Around 05 - I Want You Still 06 - Long Ago 07 - Come On Over 08 - Blue Monday 09 - Sometimes 10 - Any Time You Want Love 11 - I Cried Over You 12 - Ol` Sol LINK
Please were formed by Peter Dunton and Bernie Jinks in late 1967. They had just returned to Britain from Germany where they had played with Neon Pearl, which also included their third member Jurgen Ermisch. The fourth original member Adrian Gurvitz later co-founded Gun. They disbanded in May 1968 when Peter Dunton joined The Flies for whom he wrote both sides of their Magic Train 45. When The Flies split up at the end of 1968, Dunton reformed the band. Rob Hunt had also been in The Flies. They recorded all the cuts compiled on this album. Please split again in April 1969 when Peter Dunton joined Gun. The remaining members recruited a new drummer and renamed themselves Bulldog Breed. 01 - Seeing Stars 02 - Words To Say 03 - Before 04 - Time Goes By 05 - The Road 06 - Rise & Shine 07 - Still Dreaming 08 - Secrets 09 - Who You Know 10 - But 11 - Steal Your Dreams LINK
