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Record Cylinders - 1893-1925 - United States Marine Band



John Phillip Sousa and the United States Marine Band (1893)

The United States Marine Band is the premier band of the United States Marine Corps. Established by act of Congress on July 11, 1798, it is the oldest of the United States military bands and the oldest professional musical organization in the United States. The Marine Band is uniquely known as "The President's Own" because of its historic connection to the President of the United States. The relationship between the Marine Band and the White House began on New Year's Day 1801, when President John Adams invited the band to perform at the Executive Mansion. Later that year, Thomas Jefferson initiated the tradition of Marine Band performances by requesting that it perform at his inauguration. The Marine Band has played at every United States presidential inauguration since. Today, the Marine Band performs in approximately 500 events every year including state funerals, State Arrival Ceremonies, state dinners, parades, concerts, and other social events. The Marine Band also travels across the country each October and November during its fall concert tour, a tradition that began in 1891 under its most famous director, composer John Philip Sousa.

01 - The Enthusiast Polka - 1893
02 - La Manana - 1896
03 - Brooke's Triumphal March - 1909
04 - Eglantine Caprice - 1909
05 - In God We Trust - 1909
06 - Kaiser Friedrich - 1909
07 - Lola - 1909
08 - Maria Theresia - 1909
09 - Marsovia Waltz - 1909
10 - Salute To Mexico - 1909
11 - Semper Fidelis - 1909
12 - Staunch And True March - 1909
13 - The Bachelors - 1911
14 - The Coquette - 1909
15 - Thomas Jefferson March - 1909
16 - Austrian Army - 1910
17 - Emperor's Manoeuvre Emperor's Maneuver - 1910
18 - Manila - 1910
19 - Salute To Washington - 1910
20 - Southern Ideal - 1910
21 - Strenuous Life - 1910
22 - Star-Spangled Banner (Song) - 1910
23 - The Voice Of Our Nation Medley Part 1 - 1910
24 - True To The Flag [Treu Zur Fahne Marsch] - 1910
25 - General Heywood;our Glorious Banner - 1911
26 - Myositis - 1911
27 - Old Berlin - 1911
28 - Unser Kaiserhaus - 1911
29 - With Shot And Shell - 1911
30 - Spanish Dance (Suite Bal Costume) - 1912
31 - Girimeo Polka - 1913
32 - Old Comrades March - 1913
33 - Our Volunteers Waltz - 1913
34 - Ride Of The Thuringia Hussars - 1913
35 - The Premier - 1913
36 - My Heart At Thy Sweet Voice [Samson Et Dalila] - 1915
37 - Regimental Pride March - 1925

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Record Cylinders - 1890-1920 - Marches



Phonograph cylinders were the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their era of greatest popularity (c. 1888–1915), these cylinder  shaped objects had an audio recording engraved on the outside surface which could be reproduced when the cylinder was played on a mechanical phonograph. The competing disc-shaped gramophone record  system triumphed in the market place to become the dominant commercial audio medium in the 1910s, and commercial mass production of phonograph cylinders ended in 1929.

01 - Baldwin's Cadet Band Of Boston - 1893 - Beau Ideal March
02 - C.P.Lowe Band - 1905 - Diplomat March
03 - Columbia Band - 1905 - Directorate March
04 - Columbia Orchestra - 1904 - El Capitan March
05 - Edison Concert Band - 1913 - Aida March
06 - Edison Grand Concert Band - 1901 - Adventurer's March
07 - Edison Grand Concert Band - 1902 - Imperial Edward March
08 - Edison Military Band - 1904 - Washington Post March
09 - Edison Military Band - 1906 - 10Th Regiment March
10 - Edison Military Band - 1907 - High School Cadets March
11 - Edison Military Band - 1907 - National Fencibles March
12 - Edison Military Band - 1907 - The 74Th Regiment March
13 - Gilmore's Band - 1904 - Admiral's Favorite March
14 - Indestructible Band - 1911 - Jack Tar March
15 - Indestructible Band - 1911 - The Free Lance March
16 - Indestructible Military Band - 1908 - 2Nd Regiment Connecticut National Guard March
17 - Indestructible Military Band - 1908 - 23Rd Regiment March
18 - Indestructible Military Band - 1910 - Liberty Bell March
19 - New York Military Band - 1911 - The Boy Scouts Of America March
20 - New York Military Band - 1913 - From Maine To Oregon March
21 - New York Military Band - 1915 - The Gladiator March
22 - New York Military Band - 1917 - King Cotton March
23 - New York Military Band - 1917 - The Invincible Eagle March
24 - New York Military Band - 1918 - Hands Across The Sea March
25 - New York Military Band - 1918 - Naval Reserve March
26 - New York Military Band - 1918 - Sabre And Spurs March
27 - New York Military Band - 1918 - The Volunteers March
28 - New York Military Band - 1918 - Wisconsin Forward Forever March
29 - New York Military Band - 1919 - Wedding March
30 - Prince's Military Band - 1906 - On To Victory March
31 - Sousa's Band - 1901 - Hail To The Spirit Of Liberty March
32 - Sousa's Band - 1909 - Powhatan's Daughter March
33 - Sousa's Band - 1911 - Florentiner March
34 - Sousa's Band - 1913 - Stars And Stripes Forever March
35 - Sousa's Band - 1926 - Glory Of The Yankee Navy March
36 - United States Marine Band - 1910 - The Rifle Regiment
37 - United States Marine Band - 1920 - Semper Fidelis March
38 - United States Military Band - 1909 - Manhattan Beach And Gladiator March

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Category: Wax Record Cylinders | Views: 1125 | Added by: Fremy0766 | Date: 2010-09-11



Soft Machine were an English rock band from Canterbury, named after the book The Soft Machine by William S. Burroughs. They were one of the central bands in the Canterbury scene, and helped pioneer the progressive rock genre. Soft Machine (billed as The Soft Machine up to 1969) were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ) plus, for the first few gigs only, American guitarist Larry Nowlin. Allen, Wyatt and future bassist Hugh Hopper  had first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of the Wilde Flowers, later incarnations of which would include future members of another Canterbury band, Caravan. This BBC Radio first volume contains all the sessions recorded for John Peel's 'Top Gear' programme. This features several previously unreleased recordings, including the 1967 session with Kevin Ayers on bass, guitar and vocals. The running order is mostly chronological, but has been tinkered with by Robert Wyatt, "for reasons of aural satisfaction".

Disc 1

01 - Clarence In Wonderland
02 - We Know What You Mean
03 - Certain Kind
04 - Hope For Happiness
05 - Strangest Scene (AKA Lullaby Letter)
06 - Facelift , Mousetrap , Noisette , Backwards , Mousetrap Reprise
07 - The Moon In June
08 - Instant Pussy
09 - Slightly All The Time , Out Bloody Rageous , Eamonn Andrews

Disc 2

01 - Virtually
02 - Fletcher's Blemish
03 - Neo-Caliban Grides
04 - Dedicated To You But You Weren't Listening
05 - Eamonn Andrews,All White
06 - Mousetrap-Noisette-Backwards-Mousetrap Reprise-Esther's Nose Job

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Category: Oldies | Views: 861 | Added by: Fremy0766 | Date: 2010-09-11



The South London-based Killing Floor was originally a pop duo formed by lead guitarist Mick Clarke and vocalist/harmonica player Bill Thorndycraft. During the British blues boom of 1968-1969, they decided to form a "straight blues" group, recruiting prospective members from the classified pages of Melody Maker. Joining them were piano player Lou Martin, bassist Stuart MacDonald, and drummer Bazz Smith. Taking their name from Howlin' Wolf's "Killing Floor" (Wolf's cover was itself a version of Robert Johnson's "The Lemon Song"), the band played just one gig before ex-Radio Caroline DJ and ardent blues fanatic John Edward offered to manage them. Edward's connection with the Southern Music publishing company led to them signing with Southern's Spark Records imprint. The band was booked into Pye Recording Studios and with Edward  aboard as "producer," they recorded their self-titled debut in 12 days' time. Most of the material was re-configured Chicago blues classics, except for a cover of Willie Dixon's "You Need Love." Killing Floor was released in the U.S. on new London subsidary Sire. By mid-1972, Killing Floor had disbanded.

01 - Woman You Need Love
02 - Nobody By My Side
03 - Come Home Baby
04 - Bedtime Blues
05 - Sunday Morning
06 - Try To Understand
07 - My Mind Can Ride Easy
08 - Wet
09 - Keep On Walking
10 - Forget It
11 - Lou's Blues
12 - People Change Your Mind

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Category: Oldies | Views: 731 | Added by: Fremy0766 | Date: 2010-09-11



Sweet Smoke were a 1960's and 70's progressive jazz-rock  band. They incorporated many different influences, such as jazz, funk and island rhythms. They were originally formed in Brooklyn, New York in 1967, although the band moved to live as a commune in Germany before the decade was out. They have a fan presence on the internet to this day. Line-up 1970 (Just A Poke), Andrew Dershin – bass guitar, Michael Paris – tenor saxophone, alto recorder, vocals, percussion, Jay Dorfman – percussion and drums, Marvin Kaminovitz – lead guitar, vocals and Steve Rosenstein – rhythm guitar, vocals. Just a Poke is the first album by Sweet Smoke, released in 1970, engineered by Conny Plank. The song Baby Night displays the band's progressive jazz fusion style at the time. The song can be divided into three main sections, the highlights being the instrumental sections.

01 - Baby Night – 16:24
02 - Silly Sally – 16:22

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Category: Oldies | Views: 723 | Added by: Fremy0766 | Date: 2010-09-11



The Godz were a New York City-based garage rock band that existed from 1966 to 1973. Their music varied from early noise rock to avant-garde and psychedelic rock. Jim McCarthy (vocals, guitar, flute, harmonica), Paul Thornton (vocals, guitar, drums, maracas), Jay Dillon (vocals, autoharp) and Larry Kessler (vocals, violin, bass guitar). The Godz started in 1966 on the ESP-Disk label. The first recording, produced by ESP-Disk at the close of 1966, was an attempt to rise above the limitations and accepted norm for popular music at the time. 1967 produced the second recording, a bolder, more adventurous soundscape which is, in some people's opinion, the group's masterpiece. The third album, in 1968, saw the quartet become a trio. In 1973, a fourth and last group LP "Godzundheit" was recorded.

01 - Radar Eyes
02 - Riffin
03 - Where
04 - New Song
05 - Squeek
06 - Soon the Moon
07 - Crusade
08 - You Won't See Me
09 - Travelin' Salesman
10 - Permanent Green Light

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Category: Oldies | Views: 996 | Added by: Fremy0766 | Date: 2010-09-11



War (originally called Eric Burdon and War) is an American funk band from California, known for the hit songs "Low Rider", "Spill the Wine", "The Cisco Kid" and "Why Can't We Be Friends?". Formed in 1969, War was a musical crossover band which fused elements of rock, funk, jazz, Latin, rhythm and blues, and reggae. The band also transcended racial and cultural barriers with a multi-ethnic line-up. The band has sold over 50 million records to date. War is the third album by War, or their first following the departure of singer Eric Burdon and the group's name change from the original Eric Burdon and War. It was released in April 1971 on United Artists Records, their first for the label. The album did not gain much attention upon release, but sales and critical acclaim picked up after their subsequent hit albums throughout the 1970s, the next appearing later in 1971. One single was taken from the album: "Lonely Feelin'" backed with "Sun Oh Son", which did not chart. Of the other songs, "War Drums" includes a chant of the band's name and appears to be an attempt at a group theme song; and "Fidel's Fantasy" generated some controversy over its spoken word monologue criticizing Fidel Castro.

01 - Sun Oh Sun
02 - Lonely Feelin'
03 - Back Home
04 - Drums
05 - Vibeka
06 - Fidel's Fantasy

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Category: Oldies | Views: 804 | Added by: Fremy0766 | Date: 2010-09-11



Originating as a beat group in the mid-60's, playing mainly at US air bases in Southern Germany. By 1969 they'd become the art-rock band Chromosom, heavily influenced by the American West Coast sound. After the addition of Bernd "Steve" Leistner on vocals, and the new name Wind, they recorded their debut album for the new progressive arm of the budget label Miller, namely +Plus+. Offered a richly textured progressive rock, lyrical yet also very musically involved, and certainly very Anglo-American inspired, but with that German oddness typical of such bands. Steve Leistner / lead vocals, percussion, Thomas Leidenberger / guitar, vocals, Andreas Bueler / bass, vocals, percussion, Lucian Bueler / keyboards, vocals, percussion and Lucky Schmidt / drums, percussion, Mellotron, piano. While their debut sounded slightly like Deep Purple, their second and last album was much more in the vein of early British symphonic progressive rock like Cressida and Spring. Especially the latter one often comes to mind when I'm listening to this record. Here it also became more obvious that the band actually had a really good singer, who often sounded like Pat Moran from Spring.

01 - Morning Song
02 - The Princess And The Mistrel
03 - Dragon's Maid
04 - Carnival
05 - Schlittenfahrt
06 - Puppet Master
07 - Tommy's Song
08 - Josephine

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Category: Oldies | Views: 650 | Added by: Fremy0766 | Date: 2010-09-11

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